Showing posts with label Jason Latour. Show all posts
Showing posts with label Jason Latour. Show all posts

Friday, February 10, 2017

POWERHOUSE CREATORS TEAM UP FOR ALL-NEW SERIES "BLACK CLOUD" THIS APRIL


POWERHOUSE CREATORS TEAM UP FOR ALL-NEW SERIES BLACK CLOUD THIS APRIL
Ivan Brandon, Jason Latour, Greg Hinkle, and Matt Wilson launch new fantasy series


Writers Ivan Brandon (DRIFTER, Wolverine) and Jason Latour (SOUTHERN BASTARDS, Spider-Gwen) team up with artist Greg Hinkle (THE RATTLER, AIRBOY) and colorist Matt Wilson (THE WICKED + THE DIVINE, PAPER GIRLS) for all-new dark fantasy series BLACK CLOUD this April from Image Comics.


“I think building this book has taken us all by surprise,” said Brandon. “This team makes my jaw drop, and it's been a surreal experience watching all of our different tastes and ideas link up to build something that feels like more than the sum of its parts. This is very different from anything we've ever done before. It's invigorating to be part of it.”


Hinkle added: “I’m thrilled to get to work with so many folks that I’ve looked up to for so long. It’s a learning experience in the best possible way, and I’m really excited to get to share the results.


Zelda was born in a world of dreams, and hers burned bigger than anyone had ever seen. Now she's on the run in our world, the dreams broken in her hands. But the pieces are for sale, the rich and the powerful are buying, and suddenly her world isn't the only place Zelda's running from. 


“Even though it's conceived as a pretty unfettered comic book kind of idea, BLACK CLOUD just seems to grow to fit and reflect the life that's happening around us in real time,” said Latour. “With each passing day, we're reminded more and more of how the stories we consume and tell ourselves really do define our world. Just like real life, this is a story about fact and fiction fighting for supremacy—only here, one of them has a lightning sword."


Dreams come true—and today, they go to war.  


BLACK CLOUD #1 (Diamond code: FEB170540) hits comic book stores on Wednesday, April 5th. The final order cutoff deadline for comics retailers is Monday, March 13th

Advance praise for BLACK CLOUD:
“Ambitious as hell—and lovely to look at, too. Hinkle and Wilson make magic together. If you’re a fan of Image’s CASANOVA, this is a must-buy!”
—Kelly Sue DeConnick (BITCH PLANET, PRETTY DEADLY)
“Making your dreams real is never easy, but with splashy art and spiky writing, BLACK CLOUD reminds us of the beauty and power of imagination in dark times.”
—Cliff Chiang (PAPER GIRLS, Wonder Woman)
"Brandon, Latour, Hinkle, Wilson, and the human underpinnings of story. A dream book, in every way." —Kieron Gillen (THE WICKED + THE DIVINE, Darth Vader)

Thursday, December 15, 2016

SOUTHERN BASTARDS CREATORS RESPOND TO ONLINE HARASSMENT TRENDS WITH CHARITY VARIANT


SOUTHERN BASTARDS CREATORS RESPOND TO ONLINE HARASSMENT TRENDS
WITH CHARITY VARIANT
In response to the recent trend toward online harassment, Jason Latour and Jason Aaron’s SOUTHERN BASTARDS #16 issue will feature a special variant cover to benefit charity. The proceeds raised by this variant will be split between the SOUTHERN POVERTY LAW CENTER and the ACLU.
This special "DON'T BE A BASTARD" charity variant cover by series co-creator Latour is part of the ongoing “Roberta Tubb” variant series, showcasing SOUTHERN BASTARDS’ protagonist Roberta Tubb, interpreted by some of comics’ brightest artistic talents.

This is not the first time Latour and Aaron have announced a variant to benefit charity. The SOUTHERN BASTARDS #10 charity variant raised $18,000 for the victims of the Emanuel African Methodist Episcopal Church shooting in Charleston, SC.

SOUTHERN BASTARDS is a bestselling, Eisner Award-winning comic series that has been praised for its honest portrayal of Southern culture.

SOUTHERN BASTARDS #16 Cover B “Don’t Be a Bastard” by Latour (Diamond Code NOV168192) will be available on Wednesday, January 11th. The Final Order Cutoff deadline for comic book retailers is Monday, December 19th.

Thursday, December 8, 2016

GET WRAPPED UP IN LOOSE ENDS



GET WRAPPED UP IN LOOSE ENDS 
The Southern crime romance mini-series comes to Image Comics this January
 
From writer Jason Latour (SOUTHERN BASTARDS, Spider-Gwen), artist Chris Brunner (SOUTHERN BASTARDS, Batman: Legends of the Dark Knight), and colorist Rico Renzi (Spider-Gwen, Squirrel Girl) comes LOOSE ENDS, a four-issue miniseries from Image Comics this January.
 
LOOSE ENDS is a gritty, slow-cooked, Southern crime romance that follows a winding trail down Tobacco Road, through the war-torn streets of Baghdad, and into the bright lights and bloody gutters of South Florida. 
"This comic is a love letter to the genre that shaped and molded us,” said Latour. “A coming-of-age road trip as crime fiction. A meditation on what it was like to grow up in a world before Obama, or Trump, in a country ready to lie, cheat, steal and kill for its future.”

“It may have begun in 2007 but this comic is how both SOUTHERN BASTARDS and Spider-Gwen came to be,” Latour added. “The full four issues finally hitting shelves makes me as excited as the day I saw my first published work. LOOSE ENDS is the main reason I'm making comics today.”

LOOSE ENDS #1 (Diamond code: NOV160548) hits stores Wednesday, January 25th. The final order cutoff deadline for retailers is Monday, January 2nd.

Select praise for LOOSE ENDS:
“LOOSE ENDS is something special. Polished yet raw. Vicious yet heartfelt. A crime comic that follows all the rules while still remaining fresh.” —Comic Book Resources

“Like Jason’s own art, the combo of Chris’ line work and Rico’s colors creates something completely different than what anyone else is doing. People constantly overuse and abuse the term ‘kinetic’ when describing art, but it really applies to these guys. Their work seems alive.” —Broken Frontier

“LOOSE ENDS shows the same qualities of the drawl inherent of its geographical dialect. Like the cigarettes inhaled by the protagonist, this is a slow burn. This adds to the great contrast in which action actually kicks in with a stunning amount of intensity only to stop with well-planned abruptness. It's a good manipulation of tempo that benefits the whole.” —Gotham News