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Writer Dan Wickline (30 Days of Night, SHADOWHAWK) and artist Phillip Sevy (Tomb Raider, THE TITHE) team up for THE FREEZE, an all-new science fiction series coming this December from Image/Top Cow.
The entire human population is frozen by a mysterious global event…all
except Ray, and only he has the power to unfreeze them. Now—with the
fate of the world in his hands—he must figure out what is going on, how
to set things right again, and answer the question: does everyone
deserve to be saved?
“THE FREEZE is a post-apocalyptic survival story where the biggest
danger is man’s true nature,” said Wickline. “We strip the world down to
one decent person and then give him the power to rebuild society from
scratch, not knowing if those he awakens will benefit the new world or
indulge their darkest inclinations. It’s an intriguing concept to
explore as a writer, and Phillip is just hitting it out of the park with
his art.”
“Great sci-fi is about taking a cool concept and using it as a vehicle to examine the choices,
attitudes, thoughts, and prejudices we, as people, have,” added Sevy.
“The premise and its execution in THE FREEZE is what drew me to the
project and keeps me fueled as I work on it. I can’t wait for people to
read it—Dan’s written a great book!”
THE FREEZE #1 (Diamond code: OCT180028) hits stores on Wednesday,
December 5th. The final order cutoff deadline for comics retailers is
Monday, November 12th.
Advance praise for THE FREEZE:
“Wow! It so rare to find someone who can do the end of the world in a
way we have not seen. But Dan Wickline and Phillip Sevy have pulled it
off with their wicked apocalyptic game of freeze tag that has me wanting
more…a lot more! Wickline’s usual sense of character is on full display
while Sevy’s art is crisp and cinematic and serves the conflict
beautifully. This is fantastic, intriguing stuff!”
—Adam Marcus (director of Jason Goes to Hell: The Final Friday)
“It’s a great concept. I smell a movie adaptation.” —Dan Brereton (NOCTURNALS)
“THE FREEZE is kind of like… what if Left Behind was good, and less religious? A
fantastically fresh concept that begs to be explored, expertly rendered
with art that’s surprisingly vibrant and dynamic for a book about people
that literally can’t move.”
—Ryan Cady (INFINITE DARK)
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